by Mike Washlesky

The Good, the Bad, & the Ugly Duckling: Pro Export FCP & Avid - June 240th, 2005

June 2004

New Wireless A/V Devices Save Time & Money - June 20th, 2005
Film Is Dead at the Hands of the Sith - June 3rd, 2005

May 2004

FrameForge 3D Review: Previsualizing Film & DV Projects - May 27th, 2005
First Hand Look at Final Cut Studio New Features & Demo - May 20th, 2005
10 Basic Film Production Terms & Definitions - May 5th, 2005

April 2004

Editor Pet Peeves for Indy Filmmakers - April 22nd, 2005
Quick & Easy Windows Media Conversions on a Mac - April 8th, 2005
First Impressions of Canon's XL2 - April 1st, 2005

March 2004

A Power Mac G5 at Ground Zero of Austin Art Blaze - March 24th, 2005
Harvest Of Redemption Gets The da Vinci Treatment - March 11th, 2005

February 2004

Filmmaker Gives Sundance Wrap Up Of "Oh My God" - February 24th, 2005
Creating A "Film-Skip" Effect In Final Cut Pro - February 11th, 2005
Livetype Tips For First Time Users - February 4th, 2005

December 2004

More On The DV To 35mm Transfer Process - December 30th, 2004
HD Marketing: Getting Too Gimmicky? - December 17th, 2004
DV To 35mm Film Blowup with the Panasonic DVX100A - December 10th, 2004
DVD Studio Pro: Creating a First-Play DVD Without Stress - December 3rd, 2004

November 2004

Filmmaker Craig Knapp on Mac's Role in Feature Film Production - November 24th, 2004

October 2004

HD Production: 24 Days in the Valley, Part IV - October 29th, 2004
HD Production: 24 Days in the Valley, Part III - October 15th, 2004
HD Production: 24 Days in the Valley, Part II - October 5th, 2004

September 2004

HD Production: 24 Days in the Valley, Part I - September 29th, 2004