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Featured Article: Podcast - Apple Weekly Report #124: New iMacs, Apple Lawsuits, RIP GoLive & Speaker Reviews

by Mike Washlesky

Current Column

The Good, the Bad, & the Ugly Duckling: Pro Export FCP & Avid - June 240th, 2005

Archived Columns

June 2004

New Wireless A/V Devices Save Time & Money - June 20th, 2005
Film Is Dead at the Hands of the Sith - June 3rd, 2005

May 2004

FrameForge 3D Review: Previsualizing Film & DV Projects - May 27th, 2005
First Hand Look at Final Cut Studio New Features & Demo - May 20th, 2005
10 Basic Film Production Terms & Definitions - May 5th, 2005

April 2004

Editor Pet Peeves for Indy Filmmakers - April 22nd, 2005
Quick & Easy Windows Media Conversions on a Mac - April 8th, 2005
First Impressions of Canon's XL2 - April 1st, 2005

March 2004

A Power Mac G5 at Ground Zero of Austin Art Blaze - March 24th, 2005
Harvest Of Redemption Gets The da Vinci Treatment - March 11th, 2005

February 2004

Filmmaker Gives Sundance Wrap Up Of "Oh My God" - February 24th, 2005
Creating A "Film-Skip" Effect In Final Cut Pro - February 11th, 2005
Livetype Tips For First Time Users - February 4th, 2005

December 2004

More On The DV To 35mm Transfer Process - December 30th, 2004
HD Marketing: Getting Too Gimmicky? - December 17th, 2004
DV To 35mm Film Blowup with the Panasonic DVX100A - December 10th, 2004
DVD Studio Pro: Creating a First-Play DVD Without Stress - December 3rd, 2004

November 2004

Filmmaker Craig Knapp on Mac's Role in Feature Film Production - November 24th, 2004

October 2004

HD Production: 24 Days in the Valley, Part IV - October 29th, 2004
HD Production: 24 Days in the Valley, Part III - October 15th, 2004
HD Production: 24 Days in the Valley, Part II - October 5th, 2004

September 2004

HD Production: 24 Days in the Valley, Part I - September 29th, 2004

With five years in the entertainment industry, and three years writing for The Mac Observer, works passionately on various genres of film, including documentaries, narrative features, and shorts. He has two feature films under his belt as Director of Photography and Camera Operator, and his current role at TMO is to cover digital media and the film industry.

Most Recent Columns From Mike Washlesky

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