Rogue Amoeba has added a hidden feature to Audio Hijack 3.2.3 that allows users to monitor themselves with no perceptible delay while recording. This is particularly useful for podcasters, as it allows them to record "live-to-tape" while hearing exactly what their listeners will hear.
Audio Hijack Pro users will recall being able to accomplish this by tweaking the audio device buffers. With Audio Hijack 3, Rogue Amoeba completely reworked the interface from Audio Hijack Pro, making the app simpler and even more flexible at the expense of losing the ability to monitor our recordings without hearing ourselves on delay, or with "low latency."
Some USB mics have a "zero latency monitoring" feature, but using it means you won't hear what's actually being recorded, and that can lead to some very disappointing recordings if something goes awry in your process. The hidden (but likely coming out of hiding this spring) "Experimental Low Latency Mode" option in Audio Hijack 3 perfectly tweaks these buffers with a single, simple checkbox.
To put this into context I've included a sample workflow here. This assumes you're recording a podcast with someone over Skype. At the end we'll add in some additional things like noise gates, levels and compressors. Next week we'll utilize Loopback to add theme music.
- Launch Audio Hijack with the Option key held down so you can enable "Experimental Low Latency Mode." This is a ONE TIME thing for all versions and persists across updates (i.e. it is stored in your preferences file).
- Go to Session > New Session to create an audio session that looks like this (or simply download our sample session!)
- You'll need to change a few things unless your system is exactly like mine. The first thing to change is your input device (aka your Microphone). It likely has a yellow warning on it like the screenshot above. Click this box and choose your audio input device. Also make sure to twist down the "Advanced" setting and choose the correct channels on your device. If your microphone is mono (and it very likely is), choose the same channel for BOTH your Left and Right Channels here. This is especially important if you're using a generic USB mixer or breakout box into which you've plugged an XLR-based microphone. You don't want to grab another, random channel.
- Similarly, change the "Headphones" output device to whatever you plug your headphones into. If it's your Mac, that would either be "Internal Speakers" or "Built-in Headphones" depending upon whether or not you have plugged headphones in yet. This is the device that will be doing live monitoring of your signal, so if you have some sort of "zero latency monitoring" option on your USB device either (a) turn it off or (b) plug your headphones into another place (like your internal headphone jack on your Mac as I have done in our screenshot here).
- Click open the Skype box in your Audio Hijack session and make certain that the "Include audio input" box is NOT checked. For our purposes here we only want Audio Hijack to capture the audio coming from Skype, not what we're sending to it.
- Similarly, you'll want to go to Skype > Preferences > Audio/Video and make sure it's set to the same input device that Audio Hijack is using (otherwise your guest/host won't be able to hear you).
- At this point you're set to test yourself. Head back to Audio Hijack and click the hijack (or "enable") button in the bottom left corner of this session. You should not only hear yourself through your headphones, but you should "see" audio going through the virtual pipes in Audio Hijack. It's pretty cool. Note that you're currently recording (or at least I am in the screenshot — you can disable your recordings by clicking on the Recorder device and turning it off).
- Now that you understand how to use Audio Hijack 3's low latency mode, let's show an example of why you might want to do this. One of the handy things about Audio Hijack is its ability to affect your audio with things like noise gates and compressors. Like any audio effects, though, you want to hear the results of them to be sure you're sending high quality audio out to your listeners.
Here's a workflow utilizing the AUDynamicsProcessor plugin as both a noise gate and compressor (see our tutorial about controlling AUDynamicsProcessor — the relevant part starts at the 3:03 mark). You can see how the Skype audio is loud enough to make it through while the background noise of my microphone is stopped and the AUDynamicsProcessor won't let it pass (until it gets louder). This can help to really clean-up your sound. By using low-latency monitoring you're hearing things at the record point, which means you'll hear immediately if your compressor or noise gate needs to be tuned better.
We've been testing low latency mode since mid-December and the Rogue Amoeba team has done a great job simplifying this previously arcane process. Every episode of Mac Geek Gab, Gig Gab, Small Business Show and our TMO Daily Observations podcasts for the past two months have been recorded with this with no issues whatsoever.
Next week we'll utilize Rogue Amoeba's Loopback to allow your Skype guest(s) to hear the results of your effects ... and your theme music, too!