It’s a short video, but developer Camera Cundiff tweeted a video in which he used macOS Catalina Hands Free to design a simple logo.
video: time-lapse screencast, dictating commands to XD via macOS voice control, demonstrating the use of Number and Grid targeting to create overlapping shapes and type.
Hands Free is such a powerful feature, and combined with Siri makes the Mac feel like a Star Trek computer.
Adobe Lightroom is back in the Mac App Store, and it requires a subscription of US$9.99/month after a one-week trial.
Adobe Fresco is an iPad painting app that Adobe is working on. Previously known as Project Gemini, it will be the newest addition to Creative Cloud.
Adobe is officially inviting users to sign up for Photoshop for iPad as beta testers, via an email sent to Creative Cloud users.
Real Photoshop is coming to the iPad so you can create something unreal. All your familiar desktop tools and workflows are at your fingertips, from retouching and compositing to spot healing and blend modes. Layers? They’re all here. Resolution? No difference. Your PSDs are exactly the same, whether you’re working on your desktop or a mountain top.
Adobe has been emailing Creative Cloud customers, but you can join the beta program by filling this form.
The price of Adobe Creative Cloud has quietly raised from US$9.99/month to US$19.99/month for individuals, and Adobe Sales confirmed it.
The new feature called Enhance Details will be found in Camera Raw, Lightroom Classic CC, and Lightroom CC for macOS and Windows.
Bryan Chaffin and John Martellaro join Jeff Gamet to talk about Adobe’s new Photoshop CC for iPad announcement, plus share their thoughts on third-party watch faces for Apple Watch.
If you want a consumer-friendly video editor on your Mac, iPhone and iPad, but iMovie isn’t your thing, Adobe has a new app for you to check out: Premiere Rush CC. The app launched at Adobe MAX on Monday. It includes the video editing tools you need to record and edit, adjust or add audio, and share your movies on social networks. It uses Adobe Creative Cloud to sync files so you can switch devices while editing, too. I’ve been using the beta and it’s pretty impressive. You can try Premiere Rush CC for free. It’s priced at US$9.99 a month for individuals, $19.99 a month for teams, and $29.99 a month for enterprise.
Adobe Photoshop CC is coming to the iPad in 2019. It’s really Photoshop, and not just a subset of photo editing features.
I say this with sarcasm because the company can barely optimize it for Macs.
Bryan Chaffin and John Martellaro join Jeff Gamet to debate what Apple could do with a Mac mini refresh versus what they’re likely to do, plus Jeff warms up to the idea of an ARM-based Mac.
Adobe just unveiled a new cross-platform video editor and publishing app called Project Rush for YouTube and social networks.
Adobe wants to be the go-to choice for app interface design, so the company just introduced Adobe XD Starter Plan—a free version of its Adobe XD user experience design tools.
Dr. Mac is looking for a Photoshop replacement that can serve all his image-editing needs at a price he can afford and without monthly payments.
Adobe unveiled the latest updates to its Creative Cloud suite of creativity and design apps at Adobe MAX on Wednesday.
We’ve got screenshots, as well as details of how much cloud storage Nimbus users will get. Hint: it’s waaaay bigger than Creative Cloud storage.
Kelly Guimont and John Martellaro join Jeff Gamet to talk about the official death of Flash, plus they share their thoughts on Apple’s Made for iPhone certification for hearing aids and cochlear implants.
I’ve said it before, but this time Adobe is making it official: Flash is dead.
I know it’s coming. I know it’s unavoidable. But that doesn’t keep me from being terrified of this inevitable future when fake things are indistinguishable from reality. Adobe has its VoCo technology in testing—and that’s scary enough, but now University of Washington researchers have demonstrated the ability to to match speech to a generated video. In the demonstration video, they used real speech from former president Barack Obama and matched it to artificially generated video of him speaking those same words. It’s easy to see this tech being used to match falsified speech to falsified video. And while there are some aspects of UW’s artificially generated video that look fake, this is a demonstration, not a finished product. Within a few years, the ability to perfectly fake video and speech together will be available on our smartphones. The end result will be an ever-greater cynicism towards never believing anything you see. It’s inevitable, scary, and the technology is impressive as all heck. It will also be a huge test of democracy. Not only can someone anyone be made to say something they didn’t, anyone could also deny saying something they really did say, claiming to be the victim of this technology. The Atlantic has a good story with a lot more information on the university project.
Adobe announced Wednesday new versions of video editing and effects tools in Creative Cloud. The company announced new versions of Premier, After Effects, Audition, and Character Animator, all of which are work more closely with one another. MacBook Pro owners will also get support for Apple’s new Touch Bar.
