Kelly Guimont and John Martellaro join Jeff Gamet to discuss Apple’s AirPort basestation KRACK security flaw update along with other recent patches, plus they share their thoughts on what looks like Tidal’s impending doom.
Tidal’s days in the streaming music market may be numbered. The company is reportedly hemorrhaging money and has enough cash left to stay afloat for only six more months.
Fans of the pop star have reported seeing the album on Apple Music and Spotify in The Philippines and Australia.
Bryan Chaffin and Dave Hamilton join Jeff Gamet to talk about the new Sonos One, HomePod, AirPlay 2, Alexa, streaming music, and more.
Bryan Chaffin and John Martellaro join Jeff Gamet to pay their respects to the Microsoft’s Groove Music, and do a little ranting about Amazon’s new Echo Spot living in our bedrooms.
Microsoft has thrown in the towel and given up on making its own Groove streaming music and music store a competitor to Apple Music and Amazon Prime.
Kelly Guimont and John Martellaro join Jeff Gamet to sort out what a 4K Apple TV means to you and your current TV, plus how to look for a new TV if your ready to upgrade.
Here’s how to set up Amazon’s new multi-room music streaming for your Echo, Echo Dot, and Echo Show devices.
Apple Music exeuctive Trent Reznor recently granted a rare(ish) interview to Vulture magazine. Topics covered included Apple, Apple Music, streaming music, tech “stars,” and Nine Inch Nails. It’s a very interesting interview, and Mr. Reznor talks about how the idea of tech rock stars is “bull$%&@,” how the modern culture doesn’t value artists properly (including the music industry), and how having access to all of the music ever made has both good sides and down sides. I’m a big fan of Mr. Reznor (YMMV), and very much enjoyed reading this interview.
It seems it isn’t all puppy dogs and rainbows for Tidal because company co-founder Jay Z’s new album 4:44 is now available on competing streaming music services and Kanye West just ended his exclusivity deal over a payment dispute.
Bryan Chaffin and John Martellaro join Jeff Gamet to share their perspective on Tidal’s dwindling exclusive artist deals, plus John shares his insight on Apple and Touch ID.
Taylor Swift’s exclusive Apple Music days are gone, and odds are there wasn’t a dramatic behind the scenes breakup.
Apple’s streaming music execution has been nearly flawless. From all but abandoning the world’s largest and most profitable online music store, to launching a “radio station,” to attracting tens of millions of monthly subscribers, Apple Music has been a huge hit. And two bits of news hit Bryan Chaffin that emphasizes just how good Apple’s execution has been.
It looks like Tidal co-owner Jay Z doesn’t think Apple Music and Spotify are cool any more because he pulled his albums from the streaming music services. It looks like just his original content is gone while collaborations with other artists are still available.
Kanye West has carried the streaming music industry past another milestone. His most recent album, The Life of Pablo, was certified Platinum by the Recording Industry Association of America (RIAA). What’s new and different is that it did so through streams only. Pablo wasn’t made available as a digital download on iTunes or other online music stores. It was instead offered as a streaming product through first Tidal, and then Apple Music, Google Play, Spotify, and other services. Pitchfork reported that Pablo has been streamed a staggering 3 billion times, with 1.5 billion of those streams in the U.S. It’s the U.S. figures that earned it Platinum status, and that certification did not include the copies of Pablo sold direct by Kanye. Streaming music—including Apple Music—are clearly the near-term future of the music industry. Earning Platinum certification through streaming only is symbolic of that tidal shift. It’s also further validation for Apple’s investment in Apple Music.
Drake set a new record for first-day streams with his new album, More Life, which was streamed 89.9 million times on the first day. That was not only a record-setting debut, it crushed Spotify’s first-day totals for the album of 61.3 million streams. That’s significant, because that was itself a record for the larger streaming service.